Note: Some of the pieces of other stories in this web site have become parts of this story. As in "Jimmy the pug...Barn crows, barn singers, the last lilac..." there are actually four partial stories which are being entwined with each other simultaneously into a murder mystery of sorts; if that is not enough, an attempt will be made to evolve these notes into a screenwriting format. Know that you are not going mad when one day you read a part of this story in paragraph form, then come back a week later to find that same paragraph ripped to shreds, dissected, and re-distributed in a 'screenwriting' format. (although I have changed the 'norm' so you can actually stay awake).
Story: The first time…Three years have passed since I really
started looking back; trying to piece together instances and minor, almost
indiscernible events, that at the time seemed so minor and fleeting, it’s any
wonder I remember them at all.
So many incidental things happen around us every day, and like most
people, I wasn't paying attention to the ones, however slight, that constantly
reoccur throughout our lives. Hidden code in
life's cipher, most of us fail to recognize small, minute clues when
they are randomly interjected into that which we are actually seeing, hearing,
and feeling.
Kind of like looking into a forest from a meadow; you see the forest, but
are you actually looking at all the
trees? Do you actually see all the
animals, birds, insects watching you from the trees?
Of course not, but your mind sees and records all the minute nuances
of that which your vision encompasses, and all you have missed. Ask
yourself, do you actually comprehend the intricacy of the forest of life before you? Like
me, most do not. Hues of greens
and grays smother us in variation as silky green moss cling to shore stones
while approaching gray rain clouds vie for our attention. Off in the
distance, beams of intense sunlight reach for the cool motion of the sea, and
once there they reach far below the waves to everything else. Is that our
perception of normality? Is the screaming gull just screaming? Or is
it screaming because of you? Are they talking to you and me or yelling at
the sea?
Can you see the bullet coming? Your
mind does! Back when I was
just an average, blue collar guy; trying to keep beer in the fridge and the
electricity on for the weekend games, there wasn’t many things that worried
me. But now, I remember the first
time like it was my last guarded breath.
I was lying on the couch in that foggy wonderland of waking after falling asleep
during a particularly boring football game between
Shhh...(It just happened again, it's happening now, as I write this story!) The figure was standing to my right, and I could see it in my peripheral vision. As soon as I turned to look, the sum-bitch disappeared! Whoa! (White, starched shirt, long sleeves, collar open, black slacks, black shoes.) (almost as if the only way I can see it is in the distorted vision of the peripheral sides of my sight, or as in rising from a nap on the couch, sleepy eyes and blurred vision). It's back..., about four feet away and on my right. I dare not turn to look. I will keep writing this to you. It's moving closer….it has stopped…it has moved around behind my right shoulder…it is reading what I am writing! Shadow, my dog is looking at it through the French doors leading from the patio. He is looking past me and his stare is following the aberration as it moves away and crosses the living room to my right. I'm staring straight ahead, pretending to look at the computer screen as I type, but I'm looking past the left side of the screen and out the window because the Venetian blinds are raised just enough for me to see Shadow through the window. Shadow's gaze is following it across the room. I’m going to quickly turn my head; it's gone! Shadow just barked and is now looking at me through the window with his pink tongue hanging out, begging me to come out and play; he glances back and forth as if to say "bring your friend too". What a great guy he is. Well, why not?, it all seemed natural to him! Please remember, I am writing a story about events that have occurred and like two minutes ago (8:15 p.m. 07-Thursday-07), continue to occur. Some descriptions and instances happened years ago, and some, like what I just wrote, happened as I wrote them down for you to read…
I'm getting tired, but I must write this down, lest I forget...
The Taiwanese woman, looked somehow familiar and almost cried
when I told her she could play the piano. She looked at me as though she
knew me, she wanted to hug me, but her background somehow prevented it. I
could see it in her pooled eyes she prayed for understanding and had received it
from my family to hers. My eyes became blurred as I watched her hurry to
the small chair at the key board; some times we forget how good we have it, and
the reminding can be severe. Such a little thing as an old piano bringing
such an outpouring of love and joy from a total stranger is wondrous to say the
least. She was ecstatic and could not help herself; as if a 'dream come
true'. I was quick to realize I had provided her a rarity she had
cherished in childhood. She sat a played for two hours with her back to
the rest of us sitting at the bar. She was in her own little dream world
of wonderful memories. At least for those two hours, she was in
heaven! She was with Jack, a real stand-up guy. We hope she comes
back...you can come too, Jack.
The other night my wife described an instance where two days earlier, while sleeping in the master bedroom, she was awakened by the sounds of soft, delicate, music. She remembered laying in the dark and just listening for what seemed like an hour. Finally she got out of bed and turned the light on; the music was coming from a small music box that has been sitting on top of her dresser for ten years we know of, without anyone touching it! As she watched in amazement, the soft, delicate sounds stopped. She didn't think much of it until I approached her with my short tale.
I was awakened last night with the sounds of someone opening and closing the cabinet doors in the kitchen. I had worked late, and did not want to wake my wife. I arrived home about 3:30 a.m. and slowly, quietly crept across the living room floor and came to rest sitting on the couch. I quietly laid down and soon fell off to sleep. I do not know the time, but while laying on my right side, I could see into the kitchen. I heard cabinet doors opening and shutting. I listened for about five minutes before raising myself on my right elbow and staring intently into the empty kitchen. I squinted to see someone. I though my wife was awake and looking for something; there was no one in the kitchen, it was empty. The cabinet doors were not moving, and after another five minutes the sounds abated. I slowly lay back down and went back to sleep.
Yet, just when you 'move on' from one unexplainable experience, another pops up to slow your day. Again, I was in my room watching beautiful hues of green with crimson overtones through my wine bottle as I took another drink. I was in deep concentration regarding the chances they actually designed the bottle so someone like me could raise it and drink freely from the spout without the need of a glass? Shallow, but vital information for one practicing repeatedly to get it right. A drunk has all the qualifications and nuances required of true art. If one were to list all requirements to attained true drunkenness, mercy, and irresponsibility, similarities to the great masters would be shocking. Freedom, pain, blindness, deafness, sickness, distortion or sight, sound, and color; its all there. The honking of horns below and the soft pink glow as the hotel calls its name has come. As I turn my head, an empty, dark green, bottle lay in the middle of the shiny, slatted floor. Should I rise, can I rise? The night sounds and stage await and call to all invisible drunkards who have mastered the art of meandering through nights hues of black and gray, if only the glow of their cigarette pierces reality. I ask myself again, should I rise and go out looking for that one thing none have found? Should I rise, walk across the floor, splash some water on my face, stare into the fucking mirror, while trying not to see how age has overtaken me once again? Shall I light a cigarette, take the first drag as I step out into the searing, blinding light of the hallway, as the broken door shuts and lock behind me? Shall I inhale the awful stench of urine as I look down at the faded paisley carpet nailed to the creaking floor boards? Shall I turn to look at the invisible person standing behind me? He will just vanish as I turn, like so many times before. I can feel his breathing, and hear his heart. He is so close he is suffocating. The aberration is touching but not touching, I quicken my step. The banging of the stairs under my boots drown the sound of rushing air. My heart is pounding inside my chest as I leap from stair to stair in the hopes of outpacing the feeling. I quickly turn to look from the first landing, there is nothing to see but I sense something coming fast, a blur of darkness and gray. The collective pains from hitting the banister and walls will have to wait. I drive myself into the cold, wet, night air. Fuck it, I'm all in, I can't run anymore. I fall against the wet brick building. The cool, wet, brick against my cheek stops my head from pounding, if only for a moment. If I could just stay longer. If the cool prop could just support my frame a little longer, just a little longer please. I close my eyes in fear and raise my head to inhale as if it were my last breath! Cold air passes my nostrils and the sound of lungs filling make me faint and lightheaded. The brick has reached out and hit me again. I lean foreword gasping for air as my eyes open; with the exception of two blurred shadows scurrying like rats on the next corner, I am alone on the street. The witching hour has begun. No one wants to be on the streets when the drunks are awake. No one wants to share in their rare view of life. No one wants to hear browbeaten reality and stories of ghosts, visions, and views from a bottle. Amazing what becomes important amidst fear; where the hell did that cigarette go? I can just make out the blinking cocktail sign on the next block...I can't remember if their 'all night'....so many decisions to make if you get out of bed...I wonder if the paisley is burning in the hallway upstairs...where the hell did that cigarette go?....screw it, the rain will put it out...man it's wet in the real world....
to be continued…RJ
continued from above...
Barn
crows, barn singers, the last lilac…
Original manuscript
in progress by
Charles
J. Carmody
Story:
INT:
CHURCH-DESCRIPTION
Old,
turn of the century rundown theater in that particular location of town visited
by everyone but you; ghetto would be kind. In the dim lighting, rows of worn
velour theater seats stand at attention. Real lead crystal tulip lamp shades
line the walls as a reminder of the theaters better days.
The room had warmth and was enhanced by the small, yellow, flickering
flames dancing behind that exquisite crystal. High on the walls those
extraordinary lights proved too much for looters to reach.
Warm, yellow hues cascade faintly down sooty walls to cast a faint
glow on vintage carpet. Only the
smell of popcorn, movie stars, and the din of patrons discussing them by first
name are missing. Staircases,
once used by tabloid regulars, are located each side of the stage and are now
home to vagrants and rats. Tearing under their own weight, heavy, thick, cotton,
stage curtains hang from iron rails and threaten to smother the next act.
The ceiling above is too obscure for a person’s eye to focus, but
whispering can be heard from the rafters. As
I bend to sit in one of the vintage seats, the pungent odors of urine and puke
rise from the forty year old carpet to greet the new comer.
This is the ‘Roxy’.
INT:
CHURCH
Jimmy
(Slumped
down in a mid-row chair, hands in his overcoat pockets, elbows tucked inside the
arm rests, slowly looking from side to side, muttering under his breath) The
small stage in front of the room has movement on it.
There's a dark figure slumped over the podium mumbling
incoherently.
W
INT:
CHURCH
Jimmy
STILL
SITTING - EYES CLOSED – TRYING TO REMEMBER – MUMBLING TO HIMSELF
“I
must be dreaming! Where the hell is
this place, and how did I get here? I remember drinking scotch and being thrown
out on my ear; I don’t remember how I ended up in this shit hole”
INT:
BAR
Jjmmy
REMEMBERING THE PAST FEW HOURS
Old
community bar, everyone knows each other or is related. Worn
oak chairs and tables; cheap, battery powered lights, one on each table.
Wall lined with picture frames and photos of celebrity ‘no-shows’;
all signed by ghosts. None were
authentic, but Bruno says customers like them and don’t ask.
Lighting was dim at best. Conversations
were at a whisper because a stranger was sitting at the bar.
Locals were taking turns keeping an eye on him, but the stranger pissed
them off with his nonchalant attitude and obvious distain for them. The
stranger really pissed them off by asking for his 12 year old scotch out
loud, getting some, quietly sipping the nectar; and all the while, ignoring
their whispers and scowling. With a glance from
the regulars, Bruno sensed it was time for him to waltz over, stand in front of
the stranger, and give his famous “get the hell out of here before I hurt you
speech”. All this in a white,
sleeveless ‘T’ shirt dappled with light red and brown stains for ‘effect’.
Of course the stench of last nights cheap red wine emanating from his
pores and that special oily sweat running from his armpits was a special touch
only ‘Bruno’ could master.
INT:
BAR
BRUNO
– BARTENDER
FOR
HIRE/ODD JOBS
A
two hundred, forty pound ex-rock star bodyguard hired for his brains.
With everyone watching, Bruno was 'on stage' as he walked to the end of the bar,
where the stranger sat. For attention, Bruno set one clenched fist menacingly on the bar
while the other brandished a vintage wooden bat; he made sure the stranger and
the 'audience' saw both. The humidity must have been too much for him,
because without a second thought, Bruno raised the wooden bat and set it on the
bar top to let cool air flow under his massive, sweaty, arm pits.
The stranger was impressed by the 'signature series' 46 ounce instrument.
He was also
impressed by the u
INT:
BAR
Jimmy
SLOWLY
RAISING HIS HEAD TO SEE WHY THE MUSIC STOPPED
Not
two inches from his face, and barely discernable, was “The Babe” burned into
the worn hilt of Bruno’s wooden accomplice.
INT:
BAR
BRUNO
TO
AVOID WITNESSES, BRUNO LEANED OVER WHILE HE SPOKE
“Hey
buddy, can you hear me? I said, hey,
can you hear what I’m saying?”
INT:
BAR
Jimmy
“Yes,
I can hear what you’re saying. What
do you want? Am I bothering
somebody?
INT:
BAR
BRUNO
“Yes
asshole, your bothering my customers. Where
you from, anyway? Do I know you?”
INT:
BAR
Jimmy
“It’s
none of your business where I’m from. If
you knew me, you’d be lost too. Now, why don’t you just back off and let a
guy have a drink!”
INT:
BAR
BRUNO
LOOKING AROUND THE ROOM TO SEE WHO WAS WATCHING AND WHO HEARD WHAT THE STRANGER
“We
don’t like strangers in here, especially ones with attitude.
You got that slick?”
EXT:
BAR
Jimmy
SMILING
TO HIMSELF AS HE SLOWLY RISES FROM HIS STOOL TO LEAVE
Bruno
drives the ‘stranger’ stumbling to the door with “The Babe”.
The locals finish it by beating him unconscious and throwing him out into
the pouring
EXT:
STREET
(The place was closed when 'the stranger' 'came to'; soaked and lying in the middle of the
street, it was time to go home)
INT:
BACK TO REALITY INSIDE THE CHURCH
PREACHER
(Over
six feet tall; a dark foreboding individual with his great arm extended and a
wicked finger pointing at Steve)
“If
you be the puppet of oppressors through no fault of your own, relish the
knowledge fear is a staff carried by deviates and sweaty pigs!”
INT:
CHURCH
Jimmy
THE SHOW HAS
STARTED
(Not
believing his ears, and frozen in confusion while mentally retracing last nights
steps, and with awe and amazement, Jimmy stares at the orator pointing in his direction)
INT:
CHURCH
Jimmy
(While
watching the preacher’s eyes flick red, his hangover was wearing off but he
was still having a hard time focusing on the dark clothed figure preaching from
the stage in front of him)
INT:
CHURCH – MUTTERING TO HIMSELF
“I remember drinking scotch into the early morning and being thrown out
into the rain; I don’t remember how I ended up in this musty beggar’s
chapel?”
INT:
CHURCH - STAGE
PREACHER
(Seeing
he has Steve’s attention, lowers his arm and his glare while dropping his head
to return to an object of intense scrutiny hidden by the rim of his pulpit)
“Like
weathered drift wood, their staff caries with it the well worn patina of
deception. It’s the instrument of
manipulators. One may not recognize
its intended purpose in the company of clergy until you’ve bowed down and your
money is gone. Write a book of fear,
have ornate perverts read it out loud, replete with stories of heartache and woe
and you’ve got their attention. Threaten
your listeners with retribution and the strap, and you control everything else
they hold dear.”
INT:
CHURCH
Bodies of the poor and retched were slumped over and huddled trying to stay warm, thinking an ‘ear banging’ was a small price to pay for a bowl of soup and a safe place to drown in misery. Unfortunately, the fire and brimstone being thrown from the small stage was the only participant trying to act sober in an unfair competition with the stench of the unclean. Incessant farting and a raucous chorus of snoring competed with words of doom filled the great room as the verbal assault slapped everyone on the ear. The free bowl of soup wasn't free after all. The sermon waft the room as the intended recipients were content to send letters to Castro.
INT: CHURCH
Jimmy
(head pounding and thinking hard)
Luck was with me on that fateful early morning, for I
INT: CHURCH
Jimmy
(crouched low in
the faded, red, velour theater seat. Rain coat collar hiding his
face. The acid smell of his own puke breath curling his nose hairs.)
Thinking out low, and describing his situation to himself as if a spectator, not a
participant.
I too would have
downed the ‘magical’ gruel and added to the incendiary nature of the great room,
but I mistakenly thought my silence would afford me a
degree of invisibility; yet I now find the orator staring at the only fool
moving, the only fool with open eyes; me.
The preacher's gaze released me from its grip, just long enough for him to quaff something from a tall stein sitting on a small three legged stool. As he drank, the liquid glistened in the candlelight as it ran off his face and down his long black coat. As if a creature startled, he turned back to face the flock; and again, as he cast his gaze over the deaf, it fixed itself on me. It was as if a lion locates the scent of his next kill! He senses game, turns towards that direction, stops and stares in the direction of the strongest scent of fear. I turned my head, but to no avail, I can feel hate entwined with defiance as he glared at the lone soul in the room. It was then, he started in again;
INT: CHURCH-ON STAGE
PREACHER
(calling to
the rafters, right arm extended with fist clenched and shaking)
“feed your fear and hatred to gatherings of those missing a chapter, or dolts who cannot take responsibility for their own lives, then pass the basket and let them buy their way ‘in’ before their wives find out. Tell them tithes are for those who are less worthy, for those needing help. Don’t tell them the “less worthy” are sitting the pews! Tell them gold begets sin and remind them with whispers of good from yesteryear and if they empty their pockets they’ll be closer to ‘Shangri-La’. For I tell you, the brutal murder of a man called Jesus is no more brutal or painful than he who was beaten and tortured yesterday! The difference is invisible. Is the rape of our women and less brutal? I ask you, is the burden they carry any less painful? Do they not ask why they too have been forsaken? Do we need to add splinters to wounds to garner compassion? Does a spear in the side make acts of evil any more sacred? Do we need to drive spikes through your hands and feet so you can feel love? No I say, no to the fear mongers who would twist a story to keep you in fear, to keep the masses under the thumb!”
INT: CHURCH-SITTING
Jimmy
I caught myself actually listening to what he was saying. He obviously had a whole different slant on the teachings the church was offering. He had a whole different slant on the ‘why’ too. Again, after another bath from the bottomless stein; he spat on the stage, and stuffed a handkerchief into his great mustache to clear his nostrils. Not a pretty thing for objects of his wrath to see; then again, other than myself, who was watching? He gave the ‘audience’ one more look, and then did something I hadn't expected; he sat on the three legged stool and breathed a great sigh of relief. Watching this tired wretch was like watching a creature in death throws. It was if my eyes had just opened; for all of a sudden, he seemed very tired and very old. For a moment, he looked as if he was very alone, as if he truly believed he was the only one in the room. His eyes looked from one side of the room to the other as if searching for something he had lost; the way one looks around when they find out they had dozed for just a second while others were in the same room. Then once again, his now softer eyes, came to rest on me. He looked for a moment, and then smiled a great smile. The kind of smile you see when someone is really glad to see you. The kind of smile you see when someone has been waiting a long time for you to arrive and you are lucky enough to catch a glimpse of their great pleasure when you finally do arrive! With head bowed towards the stage, softly, he started talking out loud again;
INT:
CHURCH-ON STAGE
PREACHER
“Consider there are those you have put ‘on high’ who would have you believe spikes appropriate. They did then, and they do now. Secret societies are still amongst us my friend. They’re writing the next translation to perpetuate the manipulation of the masses. They are re-translating ancient parchment, for yesterday’s translation is wearing a little thin among the younger generation. They will tell them it’s their duty to pay for forgiveness and sing to a fever pitch; all the while pretending a great myth is listening. They are asking you to sing words they themselves have never believed. They will be telling you they possess the righteousness to administer unto you forgiveness. Be warned, in truth, they can administer no more forgiveness than barn crows and scavengers sitting the pews. Know the stinking beggar sitting the curb can hear the same words for a bowl of soup! I ask you truthfully, is it any different selling, trading, lending and changing money in the temple than sitting the pews while forcing a lackey to work the store for you? Clutching his throat while coughing and gagging out loud as if something was strangling the frail life out of him for what he had said.
INT: CHURCH-STANDING
Jimmy
I stared as the rant continued I could hear trembling in his voice; his courage a fine thread as if begging for breath. As his frail, thin, black clad body leaned on the podium for strength, as if tormented by some invisible evil and shaking wildly, he slowly raised his head and peered in my direction. He smiled again, and then, with great effort, raised the stein of courage with an outstretched arm in my direction; ‘the dog that bit you has returned to hell’ As I stood in front of the theater chair I was sitting in, the bottom softly brushed my calves as it quickly raised itself to the closed position again. I squinted to see in the dimly lit room. I made it to the aisle and slowly walked to the stage. Using the hidden stairs to the right of the platform, I walked to where he was sitting. I sat on the polished wooden floor to his left and dared not to look in his direction for fear my eyes would meet his and some terrible affliction would befall me.
INT:
CHURCH-STAGE
PREACHER
The preacher watched with that intense gaze. As Steve positioned himself on the floor, he passed the stein and motioned for Steve to take a drink.
INT: CHURCH-STAGE
Jimmy
My hand was shaking as I raised the mug to my lips. I expected the sweet, pungent odor of a cheap white port; instead my senses abandoned me altogether when the thick aroma of loganberries and burnt thirty weight oil curled my nasal hairs. The sickening smell of saliva mixed with cigarettes lined the rim of this spittoon; I was getting dizzy. The slimy liquid trickled down the back of my throat as I supped the octane. Its no wonder my host can’t raise his head for any length of time. I start to hear mutterings from the now, lowered head;
INT:
CHURCH-STAGE
PREACHER
“The barn crows will try to control the spirit within you. The good in you is manipulated until it is foul in your eyes. The barn singers’ haven’t succeeded unless they can make you bow your head in shame so you cannot see the fear of the masses in their eyes. The need to see the same shame on your face they see in the mirror every morning is too much for them; the terror is true in your eyes. Contributing not to mankind has proven too much for them; yet they mime the words of the past in hopes of convincing you the past is the true teacher of man, you have gone astray. To take the spirit that is yours and yours only is their true goal; they try because they have only borrowed translations of life to beat you with. They even try to control your emotions by telling you death a sad thing, and it is to be feared. They are the idiots of those needing ignorant armies. You have lost no love because of it. You will be missed by those whom you have touched; missed by that which loved you, no more! Ask no more. Ask not the town come out to your grave, for you are not there. You were never there.
INT: CHURCH-STAGE
Jimmy
How can
you know this, I asked? How can you
know these things?
INT:
CHURCH-STAGE
PREACHER
“Know that your God is you. You are loved by your spirit. Seek not the favor of man, but share in the truth and the spirit. The voice of your God comes through you, from you, not interpretations and translations of others who have put themselves on-high by interpreting the events of the past to fit today’s society. Know this; beauty of the body stays in the earth while beauty of the soul travels forever. Know all things live and that we are the visitors and we are forever alive in our universe experiencing life. We are the children of no one. We are not the followers of pedophiles and deviates hiding behind gold and a fear of mankind. Where there is no life, we are gone. We bring life with us; therefore, we are the carriers of life. Life may be there before us, but not as us. We are much desired in the universe, for all life must go with us. We have no choice which to leave behind. We are chosen by our evolution, by life before us, to protect and perpetuate all life. There are no other you! You are the carrier of a unique voice and consciousness throughout eternity. You forever carry with you the spirit of mankind. You are mankind! Do not live by script, live by that which is good in you. Be true to yourself and those who pass your gaze; for they will look intently, if not briefly for trickery and dishonesty. To know not your brethren as individuals is to place yourself between them while lined up for the dole. I say to you, fear not the controllers of the ignorant who are sponsored and perpetuated by the wealthy and never turn your cheek from he who causes pain. To turn your cheek is to deny your true place in the universe. Know this, you are not born submissive, let the striker know it before he plays the fool! You are not born with the fear of retribution; it must be taught to you. Know that fear is all the moneychangers have. It is because of this they have built barns to teach you retribution is wrong; if you seek retribution you will burn in hell, you must turn the other cheek their employees cry from the pulpit! If they do unto you acts of deviance, they do not want to be punished by you, so they threaten you with hell. They threaten you with jail. Jesus threatened no man with hell, yet they jailed him, beat him mercilessly, and finally stabbed him to death with a spear! Those who think alike are still here. Furthermore, do not waste your uniqueness and your individual sprit; do not become the mime of the masses. Even a man called Jesus would not have it! Man does not need armies to serve and protect the moneychangers. Man needs armies to serve and protect the weak. Know this in your heart! Earth needs leaders speaking hope, faith, and future. Smile in your heart, for you are already loved; hence you would not be here. You have purpose in our universe, you are a precious commodity my friend! There will never be another you in my world!
INT: CHURCH-STAGE
Jimmy
He turned his head and looked into the darkness which lay before him. Darkness filled with the moans of drunks, sinners, the poor and destitute. The stench in the musty room was reminiscent of bogs and mires, earthen, yet mixed with rotten, half eaten food. As he stood, he looked back toward me for a moment, then turned and looked towards the filthy as if in a moment of deep thought.
INT:
CHURCH-STANDING
PREACHER
Do not spend your precious moments seeking the ear of gold seekers. A nod from across the room is the sycophant seeking more. You are needed by those who share you. Know this and participate in humanity. We are all saviors. Know your brothers keeper, for he is you. He is the one who lives at the depths of the pond. You can only see him if you kneel by the edge in the cool mud looking in. The keeper waits, for he is the keeper of life, he is you. You are the one coming again. Do you know the face of the fear they teach? For if you do you are blessed; you can see fear coming, it cannot look you in the eye, lest you look away for an instant! You will see it cross the room, its head bobbing so not to meet anyone’s gaze directly but to look at an individual from askew, as if hidden. If you know it, then be at peace, for then you know fear will always share a room with you. Do not despise that which you know. You will hear it speaking through your voice. Your heart is your warning; use it well, for it protects you. Fear is your shield from that which fosters harm. Never look away. Let it know you see it, feel it; then manipulate it as it attempts to manipulate you. Breath deep the stench of ignorance, know it also; wallow in it until you feel comfortable speaking its tongue. Then do what ignorance wants, be the teacher and tell it all that you know. Know this; apathy is a moss growing in shadows; for in the warm, moist, darkness it is evil. You are the gardener of man, prune back the shade and let the sun in, the stench will vanish for apathy cannot grow in the light of truth; evil cannot survive the cruelty of truth. Evil cannot survive a world without shadows; a world without places to hide. The robes fear clarity and truth for it is foreign to their tongue; it cannot be intertwined with threats and lies. How can an untruth be told to the singers unless you know the truth? Know this; if you live in the shadows of torches on hills, an ignorant work force is needed. Torches summon the ignorant. They will summon the new armies of challenge and change. To offer the food of kindness and truth is blessed; to create false boarders with torches on hills and force feed the ignorant is sinful. Therefore I say to you, do not join armies of the past. Know a new world, know yourself. That which can protect you is courage and love of mankind, for the masses will follow both, and masses are armies and armies are protection from false ‘on high’. Know the armies of barn crows and barn singers butchered and murdered your brethren for not believing as they were taught, for not paying the toll. If there is slaughtering of mankind to be done; let not the stench reach your door. Seek out that which hunts you under the guise of righteousness, and loosed the vilest spirit on him! Let him see that which he dreams of, let him feel that which he seeks; let the stench of death be his last lilac. It is not for us to forgive that which inflicts death upon us. It is not our place to run from screams. The howling of man calls to the spirit of reason, and if reason away, then the army of the lilac will know insanity comes. It is enough to know, insanity knows not the tear. Only coins are needed in baskets of barn singers, not sorrow; for sorrow buys nothing and therefore has no worth in the kingdom of the righteous. Sorrow adds no gold to the altar. An ignorant army is encamped where torches burn on the hills. For I say to you, the only symbol of love cannot be one man carrying the burden and sins of the human race; his example is the right, not the acts of idiocy that drove him to the example. Wealth and houses built of slaves are not impervious to lunacy. All men must carry the burden of the human race. All men and woman must symbolize love and compassion, not an effigy in a shrine or porcelain figurines made by money changers. Lest you forget, an ignorant force is needed to provide labor for the barn singers, the barn crows. For the wealthy property owners to eat grapes, fear must be constant. The workers must always see the fear from the fields! They must be reminded by symbols of fear on high. Large barns will be built as symbols of grandeur and righteousness with monies needed for food and shelter, not. You know in your heart this is so, for you know righteousness and compassion was in man before barns, shrines. Before golden temples asked you to pay for it and bow down to the sweaty pedophile under the robe. Righteousness and compassion were in the hearts of peoples before a few of our brethren horrendously chained and beat a human being, paraded him through the streets, and then drove spikes through his living flesh! The wealthy did this savage thing because they were afraid of loosing control of mankind. Afraid of loosing control of those they whipped and raped. Workers will be made to feel they share a common good, they are one with the moneychangers; when in fact a small price to pay for labor to let them sing for you! The barn singers will infiltrate and control the schools and minds of the young workers and tax others to pay for it. Schools will be controlled by the voters, not the needs or the thirst for knowledge. Knowledge will be controlled by the money. The money will scrutinize the books and that which your child hears. Ask yourself, if knowledge being taught to your children truly fosters competition and capitalism, who would want it, surely not the mansion on the hill? Knowledge is controlled and doled out by the barn singers, the barn crows. A crows shadow is brief, unless it is allowed to lite. Then their crowing is incessant. Fear them not, but know they feed on carrion, that which is dead, dying, or helpless. This is the way of barn singers, the way of the barn crows. Remember, without the helpless, crows have nothing to watch; they have nothing to feed their appetite. Without suffering they are gone. Cast out the barn builders and aristocratic crows and use the wood to provide shelter for the homeless and work for the poor. Teach the workers knowledge, and let them know pride, for clergy teach pride a sin. It is the people who control the world and their own destiny; not words of perversion. Cast out those who fear the sun and speak to you from ‘on high’. Listen not to the idiot wielding a staff or wearing a crown while hiding in the vestibules of his pathetic mind and doing that which he is told by a myriad of cloaked readers and whisperers. If it is solace you require, talk amongst yourselves and receive kindness and tenderness. Talk to your wife, your friends, and especially your enemies; for if they lie to you, at least you will know the words are theirs. Look not to worship the invisible while begging salvation from a book. Tell not the crows of your most intimate actions, for with this power they will control you and those you speak, for they possess not an elixir to forgive any man. The millions who repent and confess their activities to sycophants are telling them who to punish, and is telling them who believes not their doctrine of fear. It tells them if their teachings of fear is working. Build your own house. Plant you own crops. Sing your own song. Pay no man to be part of his masses. Pay not those who build shrines of gold; pay those who build homes. Man is a temple unto himself. Love all you survey and become your own king. Upon birth, we are all loved. Upon death we are all missed. Know you are unique. Know you created the words love, forgiveness, compassion, truth, fairness, honesty, kindness, and all other words of our tongue. Compassion was not here before humanity. To you I say fear not our life but naïveté can kill; therefore, I say to you again, remember man created every word in our tongue, even that which sucks the life from that which we love! Do not listen to those who make you kneel and pray whilst listening to hours of your failings for those who know not life outside fear of you. You will pay to man that which you take from man. Is your naiveté' so honed by barn singers that you believe riches await you for not fighting back, for turning the other cheek when cruelty is inflicted upon your neighbor? Do you honestly believe the screams of our child bearers, our precious women as their flesh caught fire and turned black to cinder before their heart stopped its beat when burned alive at the stake by religious pigs allowed by man! Do you believe golden streets await you for watching the flames and the writhing female tied to the pole while smelling burning meat in the name of the church, worthy of man! Go and protect life. Go and protect all of us from hirelings of trinkets and robes. Let them kiss the feet of the dead. Protect the weak from those who use the lash on man, the killers of life in man!
INT: CHURCH
The act had ended with a tormented, dark, figure writhing on stage while raising his mug of swill to his lips, and all to no avail. As life itself, the container had failed its owner. The only thing pouring from the mug to greet my host was his rancid breath. Before the preacher could catch his composure, Steve had risen from his seat and stumbled his way to the door. The audience had left the theater.
EXT: CHURCH DOORWAY
Dark, cold, pouring rain and gutters threatening to overflow. The streets glistened under the shorting street light. This section of town doesn't get much attention from the city crews. The rain is pounding, can't see across the street.
EXT: STREET
A black and white police cruiser snakes its way along the swollen gutters while shining its spotlight up alleys and into doorways to roust the discouraged and beaten. Move on to where they say? The cruiser never stops, just slows long enough to give the rats time to relocate. It's like sweeping with a straw broom, you move dust around but nothing really gets clean. The dust just moved out of the spotlight for a moment, that's all.
EXT: CHURCH DOORWAY
Jimmy
Looking in through the small, face high window on the door, and back into the theater; to his amazement, the stage was empty. Time to move on, the booze is wearing off, and there's no speaker tonight.
EXT: CHURCH DOORWAY , NIGHT– HEAVY RAIN FLOWING OFF STREET LIGHT SHADES – NIGHT-STREET LIGHTS DIM.
Jimmy
(still in doorway)
Trying to keep cigarette lit while briefly looking into the street to keep an open eye on his situation, Jimmy stopped moving and breathing for just a second. Not fifty feet away, the cruiser stopped. The pouring rain was aglow red when the brake lights went on. Two dark, ominous shadows opened the cars doors and got out. One on the drivers side, the larger one on the passengers side. Both wearing draped, rubber, raincoats; they looked wicked in the distortion of the deluge. It was not hard to see one of them had a baton out and was slapping it into the palm of his hand while looking Jimmy's direction. The other doughnut was standing and waiting for something to happen; anything to happen, because under that tent, he was holding an old friend; not what you think, when on shift, it's his sixteen year old 38 cal. special.
EXT: CHURCH DOORWAY, NIGHT.
JIMMY
Jimmy backs into the doorway; so much he can feel the door hinge digging into his back. He could still see the menace as he looked through the two sets of windows. They just stood motionless. All of a sudden, a figure reminiscent of the aberration he saw in his room, lingering at the foot of his bed, moved passed him with a sudden swoosh! Towards the two officers it went, arms flailing; seconds later, the doughnut boys lay motionless on the wet sidewalk. I dare not admit this moment. I look the other way and quickly back. Puffs of warm smoke exit the exhaust pipe of the cruiser as two bodies lay to either side; the aberration was gone. "What the hell just happened?" A quick look up and down the street; no one was moving, no one would admit it.
Muttering to him self and thinking of the special moment he now found himself in:
It always ends like this. First a few drinks to get loose and sociable following some extraordinary occurrence. Then some kind of misunderstanding; people just can’t leave you alone while you sip scotch and try to decipher that extraordinary occurrence. And finally, a new and exciting, drunken extraordinary occurrence to recall when you wake and sober up the next day. Was that venomous sermon meant for me or had sanity vanished from the stage in bits and pieces while I watched? Was I the ‘one who was in the wrong place at the wrong time’? Or is this just one of those quaint sideshows that occurs in the bottoms? One of those expected oddities that occur when roaches creep the bottoms. The dark, wet, musty scents of discouragement intermingled with alcohol and drugs make the south end what it is. Sometimes, the punks from ‘up town’ looking for a cheap thrill roam the streets in the light of day; you know the toughies. At night, it’s a whole different story. If they come, they never get out of the car. They cruise by dark doorways in the rain and tempt fate. They ride with their girl friends in daddy’s car, back seat packed with their buddies hoping to ruffle the sheets just enough to tickle terror and evoke fear but not enough to force courage to run down their legs. Trying to create a memory and satisfy their craving for excitement by poking and prodding the huddled, cold, vagrant laying in an open doorway. If the vagrant, two hundred and fifty pound early release rapist wakes, beats the punks’ senseless and rapes their girlfriends, he goes back to jail, where it’s warm. Kind of like poking a bear in a cage with a stick, the punks never try getting out of the car to show their courage without the bars holding the bear. Bars of alcoholism, drug addiction, poverty, starvation, heart breaking loneliness; if they only knew why there are ‘south ends’ in every town. If they’re lucky in their travels through sadness, it will be an old guy who lost his family in a fire and can’t live or defend himself. Or the poor bastard I listened to yesterday in a bar just down the street, which lost his daughter in the war. His wife left him because he can’t forgive himself while overpowering sorrow fights hatred for his soul. In his mind, and with every drink, he reasons not to relive his pain is somehow forbidden when it’s your only child. His bar stool held up insurmountable sorrow and guilt that night. After catching a glimpse of a beer soaked photo of a little girl on the bar, I had to go. Whoever he and his wife called to for compassion, hadn’t listened in years. They never even asked where he went, down at the factory. The factory wasn’t there when the official looking telegram came. Neighbors’ smiles and waves were abruptly distant and short. The money ran out, and tall weeds grew where once a manicured lawn was laid. Newspapers stood like camp fire wood leaning against the front door. A single light was left on at night. His slumped shadow, visible through lace curtains became a source of conversation and curiosity between neighbors passing in the night. They would slow, and then drive past. Never wanting to intrude, the door bell never rang. And what the hell am I going through? Fucking creatures in the night, fucking dead doughnut boys!
EXT: ALLEY.
JIMMY
Sliding along a brick wall glistening in the din of golden light coming from a familiar, ten dollar room. Shadows moved past the opening and loud cussing could be heard. The faint voice of a women pleading with drunk company trickled out the opening and down the bricks to where Jimmy sat. I can feel it coming again (he told himself), he watched as a large shadow moved up the wall and grabbed the slippery lower step of the fire escape ladder hanging just low enough so the punks can break into every room in the building. The large figure pushes in the broken door at the top of the platform and enters an all too familiar, dark hallway. He listens intently to find the room with the view. All of a sudden, the bullshit stops! The figure of a man comes flying out the open window and lands on the pavement! No more pleading tonight, problem solved! Jimmy was grinning as he crouched next to the building. The rain was drowning out the tough guys cries for mercy. He finally stopped moving, and two cats ran over to lick the dead.
EXT: ALLEY.
JIMMY
(staring in disbelief at the body laying on the pavement in front of him)
Walks over to get a better view and sees the wallet laying next to the lifeless, disfigured pile of shit. "Thanks buddy", I needed another drink. He opens it to find a fin and two ones. A shit eaten grin comes over the unshaven face of reality as he gives the corpse one more kick. As the Pug starts to walk off, a feeling of company makes his breathing silently slow. He turns slowly and looks down the alley; nothing. The feeling is persistent; he is not alone. Just then, a tiny piece of brick falls from above, causing Jimmy to dart to an outside wall and quickly look up! A badly bruised, young woman was watching him from the open window. He couldn't make out her face, but her thin silhouette in the dim night light, is the stuff dreams are made of. He put the money back in the wet, leather wallet and threw it up to her. She caught it and whispered, "thank you". With that, she watched as the big guy slowly walked towards the street light and disappeared around the corner. The rain had started again and a cool mist was blowing into the ten dollar room with the open window. Bare, restless thighs waited for the big guy to return to the room with a view. It was going to be a long night.
EXT: STREET, RAIN POUNDING THE STREETS.
JIMMY
There has to be a bar open somewhere. He looked back, just in time to see vagrants going through the pockets of the doughnut boys. You could hear a faint siren off in the distance, but getting closer to the quiet cruiser with cold seats. The two dead cops will be naked before coffee and donuts arrive!
INT: HOTEL STAIRCASE.
JIMMY
The front door stuck open
because rain had swollen the door frame; the broken squares of wet linoleum
shined like
INT: HALF WAY UP THE HOTEL STAIRCASE, THE FIRST, DARK, LANDING.
JIMMY
Yea but what about most of the time when your picking butts out of ashtrays? What about the times your fingers are shaking so bad you can't strike the match? What about the times your just to the first, dark, landing on the stairs in a dump hotel and you sense someone is sitting on the stairs in front of you but you can't see them? You are so close you can hear their breathing but they don't move. You know, like right now when the hair on the back of your neck is standing straight out! You feel like your being sucked into a dark hole! Just kidding, as you stumble over a drunk, sleeping on the stairs, trying to get out of the rain. The moaning wakes you to your senses as you creep past the dreamer, who for a few moments is back home chasing chickens on the family farm. Lucky bastard, shhhhhhhhhhhhhh.
INT: HOTEL, TOP OF THE STAIRS, FACING HIS ROOM, AND PAUSING.
JIMMY
I sure hope that evil fuck has left for the night. The key works.....
INT: HOTEL, 2ND FLOOR, THE PUG'S ROOM.
The room was very dark, and except for the red neon light warming the window ledge one would have thought it an abandoned cubicle in a far away ghetto, and they would be right. After my eyes adjusted to the depth of nothingness, I could just make out an old friend waiting in the middle of the room. Waiting in the darkness was my confidant, my warmth, and the one thing that kept me from the hard wooden floor; my couch. Not much to look at and a back breaker if you wanted to watch the whole game; nevertheless, all things good and unfailing comrade when scotch is the critic. The window was open and the curtains were pulled to one side, rain drops stepped into the room from the window ledge. Their second step left the dull wooden floor immediately below the window, shiny and glistening. There will be banging from those same droplets hitting the TV in the cell below. The old woman can’t see shit, but her hearing is excellent! It was time for my other constant companion to enter my room, a slight breeze, laden with the sweet, humid stench of overflowing gutters below falls in the open window and threatened to stay every night. I’ve no idea when it leaves, but it’s gone when I wake. A melody starts about one in the morning, when pigeons coo from their haven inside the broken copper façade located just above my suite. I sat in the dark, while the smoke from a cigarette threatened to kill me, just thinking of the events tonight. The vintage yellow and chrome chair was comfortable enough while watching the corner room just above the alleyway. There’s an interesting window, with warm, golden light and a young girl leaning out between the faded curtains above the coroner’s car. She’s watching the show below, as police awkwardly carry the two heavy doughnut boys through swollen gutters and their last ride. The mist and drizzle blurred my view, but she somehow looked familiar. I heard she had a drunken boyfriend who cussed a lot and beat her. Who would beat a young girl, I wondered. Someday he’ll get his, they always do. It’s funny, but the cops never look too hard for the last person to see the ‘tough guys’ alive. In all, three cars were there; first was the second police cruiser, second was the coroner’s wagon, and third, was the one waiting for them like a homely date, alone on a corner. There were six men standing in the rain and not one of them was looking around for the creature that killed their mates. For that matter, none of them were even looking around. It’s as if finding these bodies was a natural occurrence. I suppose there is a certain degree of apathy garnered over the years, but somehow the three of them standing there drinking coffee and talking about the big game added sleaze to the stage. Like finding out you stepped on a snail. Real ugly, slimy, and you’re never going to touch it. This will have to ware off. One of them walked to the cruisers and turned off the red and blue dancing lights, leaving the running lights on. I was getting tired of the show and should have lain down, but as fate would have it, I lit another cigarette! One of the cops quickly looked up, and through the clearing mist, he saw the ever so brief flame emanating from my lighter, picture framed in a totally black window opening! He yelled something to his partner and they both came running to that very special, swollen door, left ajar at the bottom of the stairs. I watched for a second, until I could hear the pounding as they forced the door at the bottom of the stairs open. Their heavy boots pounding the frail stair treads as they bounded up the stairway. They hit the first landing with a bang! I could hear yelling and cussing as they climbed the last ten feet to the upper landing. They paused for a moment, and in a panic found their guns under their heavy, cumbersome slickers. Each carrying their courage in their right hands, they slowly crept to my paper door. Unbeknown to them, I watched from afar. My sanctuary was the darkness at the opposite end of the hallway as they pushed the door in with a two hundred pound shoulder. In the yelling and confusion, shots rang out, followed by a mad dash back onto the landing. As luck would have it, the doughnuts caught up with them, and they gasped for breath while realizing they were in “no mans land”, with no plan. Kind of like two, gung ho soldiers who, through no fault of their own, find themselves surrounded, and standing in enemy territory with the rest of their company two hundred yards behind, digging in! Not only was their adrenalin flowing, but they hadn’t run that far in ten years and now they’re standing in the middle of a mine field. Mr. Macho had already left, and by way of their underwear, was waiting for them back with their buddies on the streets below. This was a real bad neighborhood, a real dark building, doors were starting to slowly open, and it was time to leave. The adrenalin that got them there was now hiding in their weak bladders. After staring into the whites of each others eyes they turned and slowly crept towards the stairs. Both still had their revolvers drawn, one looking up the stairwell while the other looked down as they hugged the wall while descending the dark, almost black exit. The creaking steps gave away their retreat as the staircase led them towards the safety of the streets. They intermittently looked at each other’s fear and without muttering one word, agreed they did their part for the neighborhood.
EXT: STREETS IN FRONT OF HOTEL
BULB BOYS
The 'Bulb Boys' had shown up. "The Gazette" was usually the first on the job. As the two doughnut boys flew down the brick staircase that led to the hotel door, the flashing bulbs were waiting for their landing on the sidewalk. In their blindness they almost lost their footing while trying to look important. "What was all that shooting about?" (yelled one of the reporters). The two cops pushing their way through the lenses, scowled as one blurted out "he got away!"
INT: ROOM/COUCH
JIMMY
(talking to himself)
The bastards shot my couch twice, (evidenced by ancient cotton protruding from the cushions and the smell of gun powder on my favorite pillow.) "He got away, they'll tell the duty officer back at the station..he got away! The duty officer will turn to them in his calm, tired, manner, and ask "who got away?" and "why the hell were the two of you shooting anyway?" "Fill out the paper work and I'll see you in a month! "Let's all pray some tramp doesn't come forward to sue us for our badges!"
INT: ROOM
JIMMY
After a couple of shots of vinegar, I lay back on my
deceased couch and with anticipation
INT: ROOM
JIMMY
(fading in the dark silence, starting to dream while glancing at the leather
bound note book on the small table...trying to remember thoughts of yesterday...)
Where else will the help come from...?
INT: JIMMY'S ROOM
Jimmy, mumbling out loud while the
blinking, red, hotel neon helps provide the euphoric trance he's chased all
night. The media is the new church. they'll spin facts to scare the hell out of everybody. Religion is on the
wane, fewer and fewer are going to church, and the wealthy need something else
to scare the poor. What do they do? They buy the media, newspapers,
television, radio, etc. They get laws passed to allow them to purchase all
three information providers in the same geographical areas and saturate those
areas with their bullshit. Thousands of adds selling medicine for bullshit
ailments. Thousands of adds telling the ignorant masses their sick.
Everything from small dicks to growth pills to make her happy. You name
it, you got it! The news will make you scared to go
out your doors. The new enemy today is, blah, blah, blah. If people
turned their televisions and radios off for a week they would be surprised how
happy their lives would be. The church is saturated with pedophiles
abusing children and the world is sick of it; they've been caught! Behind
those golden icons are fat, slimy, pigs abusing peoples children in horrendous
ways. What does the church do when they get caught; throw money at them,
the same money it collected while they were on
their knees in the pews. The church is loosing control and is now viewed
as the manipulators for the wealthy they have always been. Their motto
"control the ignorant masses!" If they don't they'll be dragged into the
streets and abused the same way the kids were; along with their benefactors... It's no doubt,
media and industry are the new church and their circling the wagons. The
only other thing; position military units around the world. Not for the
oil, but rather, use the oils grip to lend legitimacy to positioning armed
troops
INT: THE NEXT MORNING - POLICE PRECINCT 54
This precinct was just like any other police station that was under funded, under manned, and completely burned out. No one was coming to help. The City Counsel, federal funding, nothing, these poor bastards were on their own.
INT: PRECINCT 54 SQUAD ROOM – MORNING BRIEFING
Officer Sandy Owens was leaning over in an effort to eavesdrop on two officers sitting in the second row. The officers were recanting to each other the events of the night before when they were called to ‘check on’ the two doughnut eaters whom they eventually found dead, laying on a wet, dark, corner in a bad section of town. They were ‘practicing’ what had happened so when called to explain this morning, they both had their stories straight. After all, they didn’t want to look like shit if the hotel incident became an issue with the duty officer.
Feeling uneasy, they suddenly turned to see Officer Owens staring in their direction, and close enough to have heard everything. She just smiled and leaned back in the cold, metal, grey chair. The two doughnut boys turned to the front and started to sweat.
INT: BREIFING ROOM
Duty Officer Candy stood at the front of the session. A huge, faded green blackboard hung on the wall behind the six foot five redneck. His face looked as if he were giving it time to heal from pounding it on asphalt; red, lined, scared and pounded raw from fighting when he drank. His last name assured him of his destiny and provided an excuse to fearlessly beat people by breaking them physically. Nobody can stand up to his pounding and most of those who tried are sitting in front of him with scars, both physical and mental. He just never could join the ‘good old boys club’. When he was in a bar, he would sit in the back, in the dark, waiting impatiently for the slightest derogatory remark concerning police or women. He especially liked to tear up off duty shit cops, and women beaters. He drank every night, he always looked like that. He tells people he’s just carrying on tradition. Ridding the world of crap, one pile at a time. The squad always looked forward to the moment he lifted his head after reading the roster; the condition of his teeth and the stench always made the new cadets reel in their seats, because they had to sit in the front row. Candy would look down on them from the podium and smile while getting real close so there was no mistake what he meant. Officer Owens thought she’d puke when he did it to her. She just smiled and said ‘yes sir’. He got the hell away, real fast. She wiped that shit-eaten grin right off his face and he knew the whole squad saw it. She crossed those great legs slowly and he almost wet his pants. To this day we don’t know if she did or did not have on any panties, but she sent the mauler back to the chalk board for good, that morning. He never looked her way again.
INT: SQUAD ROOM-MORNING
There were chalk drawings of the apparent homicide scene from last night as well as an itemized list of events, issues, and possible clues waiting for the shift change that morning. The two officers who were first on the scene of last nights homicide stared aghast at that portion of the blackboard with a sketch depicting the location of the three bodies, and the direction the two of them ran and entered the hotel building. The direction of their exit from that building was also on the board, only it was in yellow chalk. Next to those lines were the times the two of them entered and exited the hotel building. Of obvious importance was a very large notation saying “four shots fired!’ The two of them turned and looked at each other, glanced back just in time to see Officer Owens leaning forward again, (Owens -“are the two of you going back?”) dough boys (what the fucks it to you?). Owens – “I need a big case to get the hell out of here, this is it. I’ll go back to the hotel for you. I have a hunch.”) The two of you sit this one out. What the hell, after hearing your conversation, I can use the information I heard to help my case, or I can tell the O.D. glaring down on the two of you from the front of the room, and he can use it to help his case! What’s it going to be? Dough boys, “how we gonna to do this?” Owens, “I volunteer to spearhead this case, and the two of you back me up. I don’t care if you have to brush his teeth, you make sure I get this case or I talk. “Any questions, gentlemen?”
INT: HOTEL HALLWAY – JIMMY’S ROOM
JIMMY
He needed a moment to plan his act. What character will he play for the investigator, he mused. I know, I'll be just who she expects, I'll be 'Jimmy, the illiterate, society fuck' for her majesty.
His last butt hanging from his lip, "just a minute, I sleep naked, ya know!"
INT: HOTEL HALLWAY - TOP OF THE LANDING - DIRECTLY OUTSIDE JIMMY'S DOOR
Playing the injured lamb, Officer
Owens throws Jimmy a bone "I'm very
sorry to disturb you sir, I'm just doing my job. After all, a girls got to
work, doesn't she?". (she feels stupid, and realizes too late, he's
smarter than that......he's playing her)
silence
the dog chews on the bone for a minute....while thinking....
INT: JIMMY'S ROOM - HE IS BREATHING SLOWLY AND WAITING
she may be a little more crafty than first envisioned...she must be a new officer. She doesn't have the experience to not do what she is doing, or she is very coy.....she's trying to garner morsels of insight into my demeanor, my psyche. No commander would send a novice to this hell hole, it would be suicide...she is special in some way, unique and daring to say the least. I'll let her play out her role for awhile. I'll let her in. Should I offer her the renaissance chrome and yellow vinyl chair, or shall I see how the couch with the four bullet holes and gunpowder stains, reacts to her? Her reactions to the smell of gunpowder and the holes in the couch should be interesting.....she gets the couch. Besides, if I gave her the chair, she would surely know my view of our little corner of the world, and the streets below, wouldn't she?
Just a minute Officer....... I'll be right there...
INT:
OFFICER OWENS
Listening intently at the door, she could have sworn she heard two distinct voices....maybe he does have company...just maybe there is two in the room...
She can see the door moving slightly from the occupant leaning on it from the other side....he is very close. She can hear him breathing....
VOLLEY BALL
INT: JIMMY'S ROOM
JIMMY
Jimmy pauses before he opens the door...he knows she is watching from the other side...the door slowly opens. (he's waiting to see if she tries to force herself into the room, to see if she is impatient and shows her hand).
SANDY
She knows the game...she slowly steps back, hand on her weapon, and watches intently as the door opens wide. There standing in front of her is a ruggedly handsome man, about thirty five, half shaven and bright blue eyes! His trousers are wrinkled, but his shoes are tied, and his faded, Hawaiian short sleeved shirt is tucked in. He has a great smile and gives her a wonderful "Hello". Sorry it took so long but I've been sliding for so long, I forget the importance of some things. As he gestures for her to have a seat. He leads her to the overstuffed couch, and beckons her to sit.
INT: JIMMY'S ROOM - BOTH IMMEDIATELY LIKE EACH OTHER
JIMMY
Jimmy goes to the fridge and opens the door. (a meaningless gesture, he knows there is nothing in it. He is stumbling, trying to remember his lines as he goes, and he is loosing the war). Oops, sorry, haven't been shopping today. I was going to offer you a pop, my mistake.
SANDY
She smiles while glancing at the cord to the refer, it was un-plugged.
JIMMY
He's not used to sparing in his own domain, 'on - the - wing' as it were. He follows her bright eyes to the lifeless cord. Ok, ok, you have me there. I'm really sorry, I wasn't expecting anyone today.
SANDY
"Or any other day", (she fires the first 'volley' at the struggling criminal, as he tries to regain composure.....)
JIMMY
In an attempt to gain control of an awkward situation, (in his best, no-give-a-shit Gene Hackman imitation, "what can I do for you, Officer?"
SANDY
She expected an 'about face' but not in this
severity. At first she was caught off-guard by his charming appearance (a
struggling, handsome, school teacher) and his awkward attempt at servility
and graciousness. He has inadvertently put her back 'on-duty', a foolish
gesture. She muses for a moment as she carefully scans the bleak
room...... her next move is a stroke of genius. It catches him off
guard. She starts with a beautiful smile.....second 'volley'
No reason to get testy, how about a drink of that cheap wine? (his jaw
drops....he watches intently as she picks up the dirty bottle from the coffee
table), got a glass?
JIMMY
looking like a kid who just got his first kiss............he liked her right from the start. He doesn't want to 'play mad' any more.....
(thinking to himself)........tricky bastards .....he smiles as he walks to the cupboard....
INT: JIMMY'S ROOM
SANDY
So..what were you doing last Saturday night?
JIMMY
to the best of my recollection, hiding from the world...
SANDY
explain....
JIMMY
if I must...
SANDY
you must....
JIMMY
I left my flat about six p.m. and went to a bar I had never been in before....I had been asked to leave my favorites...
after being asked to leave that one, I sat in the pouring rain for awhile, then hugged the buildings until I fell into a theater of sorts, where I succumb to an ear-banging about religious crap.
SANDY
how were you at the bar, and how long were you in the theater?
JIMMY
don't really remember...time was not an issue... but at lease an hour in the bar, and maybe two in the theater.
Anyway, after the theater I lit a cigarette while standing in a doorway and looked up, just in time to see figures moving around in my room....I could see them through the open window facing the street.
SANDY
what did you do next...?
JIMMY
I disappeared because shortly thereafter I realized I was standing in the middle of a carnival...
SANDY
explain carnival....
JIMMY
I was surrounded by flashing lights, unfamiliar sounds, and people off in the distance, standing in the pouring rain on a street corner...you know...a carnival atmosphere...I don't like carnivals...too much going on...too much information...a stress on the senses...
SANDY
Oh... Well let me ask you this....were the people you saw standing on the corner, police? And could the flashing lights have been police car lights?
JIMMY
I suppose anything is possible...but you have to consider, I had been drinking all day and things weren't to clear...with the rain and all.
SANDY
Ok, I'll give you that, you say it's possible the carnival was a police issue. If, as you say, it was possible they were police, then why didn't you go to them for help when you observed the intruders....?
JIMMY
Perhaps I should 'set the
stage' for you. It was pouring rain, and I thought I saw flashes inside my
dark room. It reminded my of gun flashes from the war...maybe not, but
either way, I didn't want any part of it.
As to "why didn't I go to the police for help?", assuming I
knew they were police....it's simply, why? Who have they ever helped, down
here in the bottoms? Answer, nobody. Their like parasites on the
helpless...and if your a realist....you already know that.
SANDY
(ignoring that last stab)...so who do you think was in your room?
JIMMY
Is this for the record?
SANDY
It's always "for the record", now who's the realist? Yes, it's "for the record".
JIMMY
It was two of the officers you were sitting behind, in the squad room at this mornings briefing.
SANDY
How do you know that? (looking bewildered, with her best 'innocent mask')
JIMMY
Three reasons....First, because you are here, in my room....this room. Second, because upon my return, the two cops I saw run out of the hotel building were much older than you. And third, that being the case, they have seniority over you, and as such, you would have been sitting in the back row this morning at the briefing. Or am I wrong, this is not your first, major case?
SANDY
(thinking to herself. If he's not careful, he will give away a portion of his act that projects simplicity...simplicity of mind).
JIMMY
(he realizes he has caught her off guard. He didn't want to 'compete' with her, and he has just given her a slight glimpse into his real intellect; something he did not want to do....not just yet.
Now, to play the 'simpleton' would be, in itself, reflect a simplistic mind...she's smarter than that...chalk one up for her, if she caught it.
(he rose from the chair, as if he had something else across the room, needing his attention. When in actuality, he was providing her with an un-observed moment to compose herself, and use the 'alone time' to compose her next act.)
SANDY
With baited breath she watched as Jimmy entered the kitchenette, his back facing her indecision, the air in the room was stifling as she became keenly aware of the awkward silence...she found herself staring while her mind searched frantically for those precious, intellectually equal words........fear was trying to seep in........if he turned he would surely see her face was flush and blank...........self doubt had wrenched a piece of confidence from her...a small piece...but never-the-less large enough that she started to recognize a chink needing repair.........fuck him she thought,........ I'm the one in charge here!
JIMMY
Jimmy smiled, ( the first volley was his, he knew it, but he'll give her an 'A' for guts...she looked like she just found out she forgot her gun....but what the hell.....it's good huh, referencing the empty wine bottle on the shit coffee table......?
SANDY
She wasn't expecting that, his smile took her by surprise...and his attempt at a joke...both knew the wine was shit.....(she just realized he didn't give a shit, she was a cop....it meant nothing to him....he was just trying to be friendly....they both broke out in loud laughter....
JIMMY
he fully knew she had almost choked on the piss water he served her...besides, now she knew perhaps more than she expected....a little gift....to break the ice....
SANDY
so....you going to tell me anything I don't know?
JIMMY
yea...but it's going to cost you, and your going to have to wait........
SANDY
explain.....
JIMMY
how'bout I clean up, take a week to get a job and some cash.....would you have dinner with me.......?
SANDY
(speechless).....this was getting too close, real fast.......let's say I give you a call in a few weeks........only if you promise to have a better memory about the other night........deal?
JIMMY
(speechless)....(he just knew she would fall back on the 'cop' thing and bow out, but she didn't ) ......you got a deal....hell I can drag this out forever.....
SANDY: HAD RISEN AND WAS STANDING BY THE DOOR, WITH HER BACK TO HIM....
(she glanced back, just in time to see his silhouette in the sunlight with a slight breeze coming through the window behind him. She couldn't see his face because of the glare...) remember....two weeks.....you better be ready for a grueling interrogation, don't forget the candles.....! (she opened the door and closed it without looking back again)
JIMMY: THE HALLWAY: JIMMY RACED TO THE DOOR, PAUSED AND OPENED IT QUIETLY, BUT QUICKLY....HE GLANCED AT THE OPEN DOORS LINING THE FILTHY HALLWAY....THE ONES WITH THE DARK 'THEY'LL NEVER CATCH ME' FACES JUST FAR ENOUGH IN THE DARK SO YOU CAN'T MAKE THEM OUT, DOORWAYS.......JIMMY GAVE THEM ALL THE LOOK HE WAS FAMOUS FOR, THE LOOK YOU SEE WHEN HE'S BEEN DRINKING, .....THE ....."YOU TOUCH ONE HAIR ON THAT GIRL.... AND.... THE... YOU HAVEN'T SEEN UGLY YET" LOOK....THE DOORS SLOWLY CLOSED WITHOUT INCIDENT....ALLOT OF MUMBLING AND WHISPERING BEHIND THE BROKEN LOCKS AND CHAIN LATCHES.....BUT NO TAKERS.....
JIMMY: INT: HIS ROOM:
as he entered the room, he was greeted by the sweet scent of her lingering perfume........funny he thought..............hadn't noticed it before...... it's been a long time since I'd seen roses...
he walked over to the open window, and tried to catch a glimpse of her walking across the street.....(he stood just far enough inside and behind the faded curtains so if she looked up he wasn't so obvious).....she was just bending over to get into the little, beat up, Renault. What a great figure she had....the wind was blowing her skirt sideways....
SANDY: EXT: STREET:
just as she looked to pull out from the curb...she slyly glanced up to his window through her side mirror...(she smiled to herself) he was there all right......the skirt must have worked...zooooooom...she was gone.
EXT: PRECINCT 54, REAR PARKING LOT, BUILDING ENTRANCE:
two cops, one holding a piece of paper....(watching Sandy approach), hey sweetie...this may be something you might be interested in....(she was within inches from him) as he read aloud the fine print on the bulletin "six unsolved killings in Baton Rouge, Louisiana". Kind of fits this M.O. no clues, ghetto area of town, and it looks like some drunk with the first name of Jimmy was questioned........along with others.......coincidence.......who knows? And look at this.....no women...just guys killed. He hands the document to an awe struck Sandy.
EXT: PRECINCT 54, REAR PARKING LOT, BUILDING ENTRANCE:
(Sandy stares at the document in disbelief)....(the two beat cops continue into the parking lot and enter their cruiser. With the turn of a key, the two drive past the rookie skirt on their way to the mean streets).
EXT: PRECINCT 54, REAR ENTRANCE:
(Sandy regains her composure while entering the swinging doors. The mirror finish on the polished, eighty year old wooden floors broke her concentration as she walked to the empty desk in the middle of the large room. She could feel everyone looking her way, after all, they had all become familiar with the communiqué earlier that day in the squad room briefing while she was gone.
INT: LARGE SQUAD ROOM, REPLETE WITH SMALL CUBICLES BUZZING WITH THE NEWS:
(Duke walks up....shoves a pile of papers aside to make room for a cup of coffee. As she looks up, his gentle smile assured her all they were thinking about was her feelings and her safety). Hey, did anyone tell you, Captain had a car watching his room while you were up there? We would miss you kiddo!
INT: SQUAD ROOM:
(Sandy swivels her chair to get a better view of the room, all were looking in her direction with smiles.....she was embarrassed and quickly turned away.) She looked up, forcing a smile, she thanked Duke for the coffee....and watched as he walked away. She leaned back in her chair and (she read the rest of the communiqué, it appeared "Jimmy" , an ex-boxer who had disappeared, was asked to submit to a mental examination, he agreed. When it was deemed he was an alcoholic and had duel personalities "The subject refused to accept the diagnosis and as such refused treatment". There was no evidence this subject had any contact with the victims, the officers were just following leads on people who lived within close proximity to the crimes, Jimmy was one of these 'locals', it further states " interest was lacking", but as we all know, things change; hence, the communiqué. The case is in "limbo', and now police are seeking this individual for further questioning as a result of dead ends and pressure from the media. Unfortunately, the subject was missing or had moved from the area. The revived interest in the case came when one of the investigators re-read a modified coroner's report that stated one of the victims may have died from multiple bruising and blunt trauma to the skull; similar to boxing injuries. The hair and scalp hid the superficial head wounds from a hurried first inspection. The communiqué went further to ask local jurisdictions to inform the Baton Rouge police of his location, should he surface in their precincts. It went on to say "this person may be considered armed and dangerous, and that caution is prudent", The second page of the communiqué went on to state, this same individual had experienced severe head trauma seven years prior to this date from a sanctioned boxing fight. Information upon request. Baton Rouge, Louisiana Police Department.
INT: SQUAD ROOM, SANDY'S DESK....
the coffee was getting cold as she noticed the "Photo on request" typed at the bottom of the page.......(she mused)....how could it be the same guy.....I only had three bodies and no clues, they had four? The princess bit her lip as she stared at the long distance phone number next to the "Photo on request" text. What the hell, it can wait until tomorrow.......does she want the photo from Baton Rouge before or after dinner with the ghetto mystery man......?
INT: SQUAD ROOM, SANDY'S DESK...
Sandy was pouring over the investigation sheets of the two dead beat cops. It seemed odd there where about twenty of them. The last page was a brief discovery and explanation regarding the dead John Doe found not far away. An apparent 'jumper', a suicide. Of interest was that she found no follow-up. Which building, after all, an alley has a building on each side! Jumped from where, she wondered...a window...the roof...? What the hell is going on...?
She picked up the 'book' on
the two dead officers and started to read. Apparently when they weren't on
duty or in a bar, they were in the I.A.'s (Internal Affairs) office
explaining away their lives... They were investigated for participation in
the rackets; including prostitution, gambling, and using their authority as
police officers to intimidate witnesses of crimes and/or to silence the brave.
Without tangible proof, the two of them were demoted and summarily banished to
the exciting end of town to save
INT: PRECINCT 54, SANDY STANDING IN FRONT OF "RECORDS".
Sandy had asked the clerk who was standing behind the wire cage, if any information came from the coroner's office concerning the John Doe. What did his fingerprints reveal? The clerk said nothing, and gave her 'the look' as she passed a thick file under the cage window. Sandy could not believe her eyes, the file was three inches thick! This will have to wait until morning....she smiled back to 'the sister' and vanished down the hall.
EXT: SANDY DRIVING HOME:
She was almost giddy as the three inch file rested next to her on the bench seat of her tiny Renault. The rain had started again with the sun fighting to break through. Not until then had she realized she had not been to sleep since she awoke yesterday morning. She had been going non-stop. First the morning briefing, the pinch on the two cops, the career move, then the assignment, then the witness dance in Jimmy's room, then the communiqué, then the 'book' on the two dirty cops, and now the three in thick dossier on the John Doe no one wanted to investigate....the suicide. A shower sounded good.....a hot tub sounded better......a massage....oh well.
INT: OFFICER OWENS' APARTMENT:
As the door opened to
her flat, distant sirens were riding misty breezes through an open window.
She removed her key from the lock
INT: THE NEXT DAY SANDY'S FLAT:
The next morning, Sandy found herself sipping a hot
chocolate as she strained her eyes to decipher blue ink and smudged pencil
scribbling that possessed no respect for boundaries on dogged pages. Each
page had scribbling in the boarders, in the lines, across lines...it just didn't
make sense. While reading pages from the worn manila folder that followed
her home last night, she couldn't shake the feeling someone just threw the pages
together. There is no punctuation. No professionalism in the
journal. Almost as if someone was in a hurry and knew no one else
would be looking at it! No one else would have to make sense of it.
She was sure all the information was there, but its assembled as one would put
together a puzzle. The ‘suicide’ had too many prior arrests, and too many friends in the police
department. His main forte was befriending women and then getting them to
partake in prostitution. He has been arrested twice for soliciting precinct beat
cops with sexual favors if they looked the other way when in his neighborhood.
As far as Internal Affairs was concerned, he found a few married ’brothers in
blue’ who willingly took the bait and used them. The two dead beat cops that
were found the other night are on the ‘active’ list. Unfortunately a quick call
to I.A. revealed they never had enough tangible evidence and none of the cops in
question knew anything. Furthermore, the department didn’t want it to become a
‘priority’ case, so the original investigators took the suits hint and dropped
all interest. None of them even pursued incriminating photos; furthermore,
they were denied shift time for stakeouts. No shift time, no pension for
their families if things went south. After a few early morning calls, the
officers in I.A. said “they were told to forget it, and arrest some real
criminals”. Nevertheless, Sandy had to find out who killed the officers,
and who killed the invisible ‘John Doe’, fifteen feet away. A suicide a few
yards from two dead police officers just seemed too coincidental for the new
rookie to get the case. It’s a possibility the two officers exited
their cruiser to investigate a body in the alley, and died for their trouble.
After all, it was dark, wet, raining like cats and dogs; on the other hand, they
were seasoned officers….they were pros. As such, why didn’t they get any further
than the sidewalk? They would have never exited their cruiser without
calling for backup unless the streets were safe. Weather wise, a perfect
night for a killing. The rain washing away any forensic evidence and
contaminating whatever remained. Was the killer running towards them? Were they
killed first or second? And what about Jimmy with that first class view and no
answers?
Time to get dressed and check some tenement rooms. No uniform today, just
civvies, a recorder, her pet Smith & Wesson stinger, and her best knocking hand.
EXT: HER APARTMENT DOOR CLOSED ABOUT 9:30 A.M.:
She loved the site of "The Ever faithful, Pale Green Jelly
Bean" waiting at the curb. “Good car, faithful car” she whispered as she
approached the Renault. There is nothing worth stealing so the neighborhood
punks leave it alone. Some treat her like their ‘token’ neighborhood
cop, and let her stay. Most of the blue collar like the feisty cop,
say she has guts. They think she cares. Not just about them, but
their families. She knows school is a joke and jobs don’t exist for
street punks trying. The military won’t take them anymore. You can’t
even sign up to die without having the smarts to know not to.
EXT: MIDDLE OF CLARK AVENUE, IN TRAFFIC:
Jimmy is standing in the middle of the block, watching her
while she sits in traffic. She can see his reflection in the small mirror
attached to the drivers’ door. As if he could possibly see her face, he starts
to wave; she leans out the open window, looks back and waves back. She sees him
start to walk her way, but luck was with her,
INT: SQUAD ROOM: EMPTY.
Sandy entered the squad
room. She was amused to see dog breath standing at the podium, and the
room silent. She was
uneasy and unaccustomed to the room being empty. Besides, her nylons
itched. They always itched when something was about to happen.
Something was up...her 'radar' on, she listened for clues as she slowly sat down in the back of the room. The duty
officer, without talking, motioned her to sit in the front row. She
grabbed her purse and attaché case and moved ever so quietly to the front row.
She sat to one side of the podium and watched as super cop
INT: SQUAD ROOM:
The duty officer said "does
anything look peculiar to you, Officer Owens?". Yes, was the answer.
He addressed her again, this time a bit softer. Everyone is out on call
Miss Owens. She detected a note of concern in his voice. Again, he
looked down from the podium and said " The two cops who fired their weapons the
other night are on administrative
leave until we find out what the hell they shot. They're saying nothing."
INT: HALLWAY, PRECINCT 54.
Sandy couldn't help wonder why he wanted her to drag her feet....and why weren't there any 'speech' witnesses in the squad room....pretty good timing for everyone to be 'on call'.
INT: HALLWAY, PRECINCT 54.
Senior Detective Adrian was
motioning for her to come closer, as he quickly closed the gap himself, "hey Sandy, the Property Room needs
that folder back"...as he walked passed her smiling.
How the hell did he know? That file sure came under
that window easy....barely had to ask 'sister' for that three inch book of scum.
Stockings itching again....guys in the cells smiling as she raises her hemline
just an inch, trying to scratch it....
INT: HOBB'S CITY TAXI. JIMMY'S FIRST DAY ON THE JOB. TWO
BLOCKS FROM WHERE SANDY LIVES. HE DOESN'T KNOW IT.
( A big boost up, he washes taxis.)
Hey asshole, you're three minutes late! (came over the
speakers). Jimmy's vision blurs for a second as he slowly turns to look in
the dead mans direction, he smiled as the fat man's eyes met his.....'the look'
made the big man forget his next
line. His 'shtick' gone, the heart attack holding the Mic, searched the
room for an excuse to look away. Jimmy didn't wait, in the deafening
silence he walked over to where some
EXT: THE WAY HOME: Sandy.
Sometimes you never make a light. Mid-town and gas must have been free today! Everyone's sweating and barely moving as she rounds the corner and on to her street. She's only about thee blocks from her flat when out of the corner of her eye she sees Jimmy coming out of an underground garage! What the hell is he doing here? She decides to park, get out, and tail him on foot until she figures it out. This is the second time she's seen him near her house...just a little too coincidental she thought...Once in the morning when she's going to work, and now when she's coming home...what gives?
EXT: THE WAY HOME: Jimmy.
As he paused on the sidewalk to light a cigarette, he sees the Jelly Bean stuck in traffic, pull over and park, and Sandy get out and walk to the shade next to a building. She looked like she was looking for something in the display window of a store. He decides to surprise her as he zigzags through the stopped traffic, while coming up behind her on the sidewalk.
EXT: THE WAY HOME: Sandy.
She watches intently, but a little scared as she sees him in the reflection of the glass. She dare not move as she watches him come up behind her. Just as he approached, she started to turn....
EXT: THE WAY HOME: Jimmy.
Hey Officer Owens...(she turns and meets his great smile). What a great day...and how are you? (before she can reply) Boy you look great, how about a cup of coffee, I got an advance?
EXT: THE WAY HOME: Sandy.
What do you mean, you got an advance?
EXT: THE WAY HOME: Jimmy.
I started my new job today.....I told you I'm serious about that dinner! It's not much, but it's a start. Come-on, just one cup?
EXT: THE WAY HOME: Sandy.
She just looked at him in disbelief, mouth dropped wide open. Are you kidding me? Her face turned flush (he knew he had her, and he knew what she was up to. Once again he had caught her off guard) She didn't know if she should run, laugh, or kiss him for making her day by giving her the best compliment a girl could get. Here this guy is, trying to better himself just to take me out to dinner....how great is that? She smiled as she put her arm in his, and as the two of them turned to walk down the sidewalk, she looked up and said "your buying and those cups better be clean....".
EXT: ACROSS THE STREET.
Sal and Avery slumped down
in their seat as much as they could; if Sandy got a glimpse of them, the jig was
up. D.O. Candy would be really pissed if they blew the surveillance.
Sal and Avery thought of Sandy as a sister; kind of like the youngest in a
family, and volunteered for the duty, even if it meant their time.
Besides, "she hasn't even shot anyone yet" was the reasoning Candy accepted to
let the pit bulls chaperone. They watched from over the window edge as the
two lovers pushed the shiny plate glass door and entered Moe's, 8th Street
Coffee & Steak. The place use to be a mob hangout until all went south
during the Kennedy years, but she didn't know it. The chaperones
remembered the place had one back exit from the old days. The new owner
uses it for garbage and deliveries, but then it was different. The only
thing the mob threw out was bodies, and they were so bold then, booze deliveries
came in the front door. You can only guess whose face they were rubbing it
in. The back door was used to escape, and nothing more. It's
anyone's guess why they called what they did, escaping. Anyone
stacking crates in that hallway got beat or disappeared, a sacrilege to the
pasta boys. Hell, the way they ate, only one of them could fit through the
skinny doorway at a time! If we could see three of them through the
windows when the place was getting raided, we just laughed and waited for the
farting and bitching. If there was a fire, they were gone! As
a matter of fact, the place burned in 59, no one knows how it started. Six
of them died of smoke inhalation; they couldn't get out the rear door, and it
was out of the question to run to the front door. Sal and Avery said they
couldn't reach the fire extinguisher after they arrived, or they would have
helped. When asked what time they arrived, they couldn't remember; said
they were on lunch and did the best they could. The mob never used
the place again. The place brought back memories for the two night owls on
duty across the street in the cruiser. Avery could still smell the smoke,
told Sal the smell gave him the creeps after all these years. Sal just
smiled and stared across the street. He remembers it too, but not quite
like Avery. The way he remembers it, The front door had a 49 Ford bumper
blocking the exit, some idiot had pulled the car up on the curb and chained the
handles of the front door to it. No way out. Some other idiot who
got beat for stacking crates in the skinny hallway leading to the back door, did
it again, and this time really clogged it up! No one ever found him, no
one bothered looking. Hey Sal, It's starting to rain, rain hard!
Yea Avery, I know. Maybe it'll wash away some of that memory your talking
about!
EXT: ACROSS THE STREET. RAINING REAL HARD.
Sal and Avery couldn't see two feet in front of their faces;
they never saw Sandy and Jimmy leave.....not only did they have to roll the
window up, but now the streets were clogged with traffic and people running to
get out of the downpour. Avery, jumped out of the cruiser and ran
across the street to the side of the building. Pulling his hat down, he
looked in. Just as he figured, they were gone. A quick glance up the street told him the
Jelly bean was also missing! He ran into traffic and back to the waiting
cruiser, Sal had it running....I'm not going back with no report,..........sum
bitch! As if possessed, they sped from the curb and into traffic.....think
man.....think....where would they go? Where would she take him, or worse,
where would he take her? It's raining Sal, she would take him home!
They hauled ass across town to the bottoms. Just as they were rounding the
corner and on to his street, Sandy was pulling away from the curb. Sal
pulled the cruiser to the curb and sat with the engine running. Don't say
a word Avery, not a word! The two detectives watched as Jimmy stood on the
steps in the pouring rain until she was out of site. They couldn't believe
their eyes! As Jimmy walked into the hotel front door, Sal turned to
Avery, "are you kidding me?" Are these two an item? It can't be,
she' s investigating him. He's our prime suspect. Boy....the Duty
ain't gonna like this!
INT: OFFICER OWENS APARTMENT. OUTSIDE, IN THE HALL.
Sandy paused as she started
to put the key in the door. She could have sworn she heard something from
within the apartment. Very quietly the brass key was slid into the lock
and slowly turned it to the right. A familiar 'click' told her the door was open.
She pushed the heavy door and slowly drew her gun from the holster. As
the door swung open, another familiar 'click' broke the silence as her guns' 'safety'
was set to off! She paused in the open doorway and watched for moving
shadows. She entered and immediately moved to the right while
instinctively putting her back against the wall to protect her 180!
As she slid into the living room, the curtains were whipping in the wind.
Making slapping sounds as they hit the sill. She could see the wooden
floor was wet from rain and the curtains were heavy with water. She
couldn't remember if she left the window open! As usual, the
street lights from below lit up the small apartment pretty good. The corners of
the room were the only exception. She silently watched and listened.
Her breathing was becoming labored and her muscles were starting to hurt from
standing motionless against the wall. Slowly she lowered the gun and
silently fanned the room with the weapon. No sounds, no movement.
Suddenly, in the corner of the room she saw something move! It was on the
floor and slowly moving behind the couch! The front of the couch was four
feet away now, and what ever had moved was behind it! Sandy lowered the
gun, and slid down the wall in a crouching position. She paused and then
moved very quickly to the back of the couch. A cold wind had blown into
the room spraying
Sal turned the lights out for just a second as he walked to
the open window. "hey Avery, is there someone standing in that doorway,
across the street?" Avery came over to the window, careful not to stand in
front, but moved to one side and carefully looked passed the blowing curtain.
Where, I don't see anything? Over there, across the street. I could
swear I saw something move in that door way. Just then, someone lit a
cigarette in one of the doorways across the street. See, I told you!
Just then, Sandy came into the dark room, and after seeing what was going on,
paused and crossed the room to stand behind Sal. In a whisper, "what are
you two doing?" Sal turned and looked over his shoulder, "look across the
street in that doorway". He was pointing to the doorway with the small,
red glow of a cigarette. Who do you think it is? I don't know, it
can't be one of us, we're here! Just then, the figure from below, darted
across the street and into the shadows of a brick lined alley.
Bull shit, came the reply from Sal. "I'm going over to
nuts-O's apartment to see if he's dried off yet! A glance at Avery told
her he was in, she knew the three of them should go together, "OK, god damn it,
let's go!" The three of them ran to the unmarked and jumped in. Sal
driving, Sandy sitting next to him, and Avery in the back seat loading the shot
gun. The cruiser's tires squealed as it slid around narrow streets with
impossible corners. Jesus Sal....who's driving? Just hold on!
Sal turned off the head lights as the cruiser coasted up to the alley next to
the Jimmy's apartment building. Slowly Sal applied the brakes, the
cruiser came to a virgin stop. The rain muffled their intentions as
two of
them got out and ran to the buildings front entrance. Avery was
still in the alley, slowly pulling down the fire escape ladder. The two
officers waited until Avery was on the fire escape platform at the top of the
rusting stairs. They watched as he entered the second floor open
window. Once inside the front door, they entered the dark hallway.
The smell of musty decay filled took their breath away. The stairway light was
out, but the upper landing light lit the top third of the climb. W
INTERIOR, JIMMY'S ROOM:
Jimmy can barely see the faces, the hall
lights are too bright behind them, but he can tell by their breathing, he's the
only one that doesn't get the joke! Then he speaks, Ok, so I don't get the
punch line (as he moves quickly towards the landing, Avery stops him with the
barrel of the shot gun,
INTERIOR, JIMMY'S ROOM:
Sal was first, 'are you telling us you weren't
outside tonight? I already told you I took care of some trash
tonight....... officer! Sandy was watching as a smile barely
broke the corners of his lips. Was that a hint? After all,
most people would consider the dead guy in the alley trash! She glanced at
Sal and Avery, they didn't get it. As she walked over to the dinette set
to sit down, she couldn't help but notice the bathroom light was still on, and a
wet overcoat hung from the bathroom door. She remembered Sal telling her
about the cloaked stranger they had chased down the alley. What the hell,
she gave it one more try.......'w
Sal and Avery were at the open door, 'are you coming......or moving
in.......? Sandy heard the sarcastic question and didn't like it.
I'm going to finish my coffee, if that's what you mean.........?
Well, we're going, are you coming? Looking at Jimmy, Oh I think I'll
walk tonight! The two officers banged their way down the wooden stair,
like children who got told Santa wasn't coming.
EXTERIOR, OUTSIDE JIMMY'S BUILDING:
Sal looked at Avery, 'goddamn it, it's going to be a long night!' They
both knew they couldn't leave her with him alone. After sitting down
inside the cruiser, Avery leaned over...what the hell, we were told to
follow her anyway. We can't tell her, but what the heck?...
Moments later, just as they were about to pull away from the curb, Avery heard something! Wait Sal, turn off the engine......shhh, listen. The two of them could hear their names being called! Avery rolled down the window and stuck his head out, looking up and down the street. The sound was coming from above! Sal got out and stood by the open door of the cruiser and looked up.....who the hell is it? It's that nut Jimmy. Looking down to the street from his second story window, Jimmy calls out "officers....wait a minute....you have another passenger!" Sitting on the couch, Sandy looked confused. Jimmy looked back at the prettiest girl he had ever seen and said "this isn't right sister, you'd better be getting home". My date with you is next week and I'm holding you to it! As she sat her coffee cup on the table, she smiled as she arose from the couch. But before she could say anything, Jimmy spoke again " it's the couch". Sandy looked puzzled. It's the couch, it's so comfortable you don' want to get up; it's how I get all my girl friends...and there, in the corner of his mouth was that smile again. Just as Sal was coming through the open door, Sandy glanced Jimmy's way, and with a sigh, "you better make lots of money at that new job of yours, cause it's going to cost ya, big fella! Jimmy's reply "it already has". And with that she passed Sal as she left the flat. A pissed Sal tagged along.
INTERIOR, JIMMY'S FLAT:
Jimmy had moved over to the window, and stood between the two faded curtains looking down to the street. He watched silently as the three of them got back into the cruiser. He hoped she looked up before getting in the cruiser.......... he held his breath.........just as she bent over to get in the back seat, she glanced up to see if he was watching. They all had what they needed for the night. She had her job....... he was pouring sixty year old whiskey into a cold coffee cup........the two donuts could go home to their families for the night, and a little less excitement for the creep in the alley.
All the best. RJ
STORY ENDING:
INTERIOR SQUAD ROOM:
Sandy staring at the front page of the local rag. Centered with an opening
line "Local Precinct Detective Arrested For Murder!" She couldn't believe
her eyes, there in the black and white photo was Officer Candy sporting
handcuffs while being led from a cruiser! The squad room was full but you
could hear a pin drop as all the officers had their own copies of the front
page! The story goes, " Officer Candy, a squad room duty officer was
arrested early this morning on a tip from a local transient. Officers couldn't
believe it when the tipster, an undercover agent of Internal Affairs, working
out of Baton Rouge, Louisiana turned in a two inch thick dossier to local
authorities. The Louisiana, Internal Affairs department had spent months
gathering information for their case on Candy, following an aggressive, one man,
interstate, internal investigation. The picture of the "transient" looked
suspiciously like Jimmy the Pug! She almost fell back in her seat as she
read on. She bit her lip as she remembered how the bastard led her on!
That smug idiot, he knew this was my case! The big one to get me out of
this hell hole! As her eyes cleared, she continued reading as the reporter
went on to explain how the undercover cop couldn't have figured it out without
the help of a new Detective, Officer Sandy Owens of the same local police
district! "She should be awarded" was the call!
EXTERIOR-JIMMY'S STREET: SHE COULD SEE HIS APARTMENT CURTAINS AS SHE
PARKED THE LIME GREEN JELLY BEAN ACROSS THE STREET:
Still thinking to herself: That's right. Candy transferred from
somewhere in the South, with stories of how bad it was there. How nothing
ever got solved. Well, we're not in Kansas anymore! She glanced up
just in time to see a shadow move away from the open window. That bastard,
he owes me a drink too! And what the hell is his real name, anyway?
INTERIOR -
JIMMY'S HOTEL BUILDING:
Just as she arrived at the top rung of the squeaking stairs, she could see Jimmy's apartment room door was open. She approached the room slowly and cautiously before looking in. There were two persons standing in the middle of the room whispering to each other. Then one saw the shadow of Sandy, as it passed across the room as she moved into the hall lighting. They each turned to her and smiled. The taller of the two, a cuddly, but rough looking woman asked "are you here to look at the apartment?". Sandy couldn't believe her ears. She paused briefly before answering "no, not really, I was looking for Jimmy!" The taller one spoke again, "who's Jimmy?........were sorry, but Sam left this morning, just as he said he would. After all sweetie, he only paid for one month!"
Shattered, she thanked the two women and slowly walked to the stairs. She couldn't raise her head to see where she was going. She held on tight to the loose rail as she slowly placed each foot in front of the other while descending the old stair case. When she reached the lower landing, she paused for a moment before walking through the open door. The one that always stuck open when it rained....she thought, "how appropriate, it's raining now! Her eyes were welling up with tears as she walked into the bright sun light. She stood motionless on the top stoop, before her eyes adjusted to an early morning hue. She used her gloves to wipe the history away, and then took one deep breath as she started down the stairs. She made it to the third step before a red haired, freckle faced, kid handed her a bouquet of flowers, smiled and started to run off. "Wait....wait she yelled....who gave you these flowers?" The young kid turned for just a moment and yelled back "some bum leaning on that green car across the street"...pointing to Sam, standing next to her little, green car! There he was, waving with that great smile. He ran across the street, "were you been detective, you promised me dinner tonight....remember?" Damn, I thought I got stood up! Hell, you look like you been crying, come here sweetie, as he pulled her into his arms and gave her what she wanted....the smell of Aqua Velva............
to be continued.....